Performed at the Covey Center for the Arts 425 West Center Street, Provo

TIMPaNoGoS
FEBRUARY 6-7
LEGEND OF
PRESENTS
TIMPaNoGoS
LEGEND OF
CHOREOGRAPHER | JACQUELINE P. COLLEDGE
COMPOSER | MICHEAL D. BABBITT
ARRANGEMENT | NICHOLAS GREER
CONDUCTOR | MARCEL BOWMAN
LIGHTING DESIGN | MATTHEW TAYLOR
“LIGHTING DESIGN ADAPTED AND RECREATED BY CAMERON FILEPAS”
SCENIC DESIGN | BILL KIRKPATRICK
NARRATIVE & STORY ADAPTATION | JUNE CHIPMAN BELL
PROLOGUE | JULIUS CHAVES JAN 21, 1963–DEC 31, 2021
In another season many moons ago in the great and proud reign of the Early Native Americans, there inhabited the land far to the north, a powerful tribe. Feared and envied, they rode the rugged Appaloosa, the fastest and strongest of all horses. The seasons brought rain and their crops flourished. Their nation grew strong. One year, the Great Spirit failed to shower his blessings on the hunting and farm lands. Streams and lakes dried and fields withered for want of water. Famine threatened. After many counsels, the wise chief sent his four sons in as many directions to gain the favor and sympathetic response of neighboring tribes. Timpanac drew his lot and went southward. On wending his way, he paused to behold a crystal clear, fresh water lake, and looming high above in all its majesty, a beautiful snow capped mountain. The beauty of flower and stream was awe-inspiring and held him in wonder. Continuing on through sumac and willows, he became aware that he was being watched and followed. Hurrying again, he hoped soon to find the neighboring tribe and its chief.
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ACT I
SCENE I​
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The Introduction: Timpanac and the Chief
The maidens of the village are dancing to the strains of joyful happy music in anticipation of being joined by their friend Ucanogos, daughter of their chief. As she enters all are aware of a stranger approaching the village and scurry to observe amid the aspen trees. The proud and strong, young Timpanac has come with a mighty purpose to counsel with their chief. The braves of the tribe enter, questioning the reason for his intrusion in their village. He explains his desire to meet with their chief. The maidens enter into an attitude of flirtation with Timpanac but are soon interrupted by the presence of other braves who begin celebrating and dancing to his exclusion. He notices Ucanogos; their eyes meet, but they say nothing. She brings her father forward; dancing ceases as one brave speaks an introduction of Timpanac. They then go into the counsel fire to discuss his mission. They share in smoking the pipe of peace. The chief offers his beautiful daughter as a guide to show him their land.
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SCENE II
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The Meadow - Promise of Love
As they explore together the beautiful meadowland, Timpanac and Ucanogos become better acquainted by dancing softly and slowly in tender embrace. The love they share blossoms, and their feelings are expressed by the romantic movement of the dance. Declarations of love are exchanged. Braves of the tribe appear at the meadow and jealously disapprove of what they see. The chief is brought to the scene. An announcement is made of challenges: 1) the race around the lake, 2) the biggest of the big game hunt. Each can enter to win the hand of the lovely Ucanogos. She is taken away, and the warriors depart. Timpanac is left alone. Night draws near. She returns. Once more they dance, and the curtain falls.
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ACT II
SCENE I
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Day of Challenges
All the village gathers in excitement. The chief makes the pronouncement that “today we test for fleetness and endurance.” The winner shall have strength and skill and be a fearless leader. When it is learned that Timpanac has won the first round, all are joyous except the envious challengers. One of the braves returns injured. They accuse Timpanac of foul play. Timpanac assures the chieftain that the brave had attacked him, and produces the brave’s own knife which had been used against him. The chief then requests the braves to bring the skins from their hunt of game. Timpanac is once again victorious as he brings in the skin of a bear as his offering. The competitors are livid. Can they allow Timpanac to infringe on their territory by taking all the honors of the challenges? The chief then gives the final challenge. The first to climb to the crest of the highest peak and return may claim the Princess Ucanogos as his bride. The braves plot to destroy such a plan and to destroy Timpanac as well. Much dissension and struggle ensue. The angry chief requests that all weapons be left behind. The braves leave early to begin. Timpanac is reluctant to go as the two lovers fear for his life. He then relinquishes his weapon to the fair maiden as a token of his promise to come back to her. A trusted protector, he knows that the spear is now in safe keeping. Ucanogos then dances a lilting adagio movement with his spear. Saddened and pensive, her mood is reflective of the worry that she feels concerning his safe return. Timpanac must travel with great caution. There is impending danger at every turn. He pauses long enough to recall another time of beauty when snow banks were flanked with beds of flowers and streams, and he longs for the day he can bring his beautiful Ucanogos here once more. Such a place was created for hearts like theirs.
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SCENE II
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Death and Disaster
With dauntless hope and courage, Timpanac starts up the narrow crest for the highest peak. As he nears the pinnacle, envious braves spring from behind to block his ascent. He maneuvers cautiously around them. Step by careful step, he backs up the narrow crest toward the peak, and another band of jealous warriors join the attack. Timpanac, in a miss step during the struggle, falls over the edge. His body goes hurtling and crashing from ledge to ledge, down, down through space, landing at the bottom in a broken heap. Music tells the story as the ashamed braves return with the body of Timpanac. They leave in fear. Ucanogos prays to the Great Spirit to let her stay with her lover in death. In answer, the Great Spirit rents the sky with lightning, and the thunder that floors shakes the earth with terrifying force. The lovely princess is mourned in death and is prepared for burial. As her lifeless body is carried aloft, the folds of her garments mold to her exquisite form in as perfect a profile as the crest of the majestic mountain that rises above her.
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SCENE III
Happy Ever After
The two lovers are now joined in spirit for eternity. The meadow with its birds, streams, trees, and breezes shall now bring forth beautiful music. The plants and flowers shall bloom and send forth their finest fragrances. Blankets of soft snow and fleecy clouds will show the purity of their souls. Anyone who trods the trails this way shall do so in reverence. Henceforth and forever, Timpanac and Ucanogos are joined in love, in death as they were in life, and remain side by side throughout eternity as the “Heart of Timpanogos,” reminding us, “Loveliness that dies when we forget comes to life when we remember.” Anon.
LEGEND OF TIMPANOGOS CAST
Ucanogos
Alyssa Reid
Timpanac
Matteo Garattoni
Red Feather
Toshihiro Harada
Chief
Jesse James FourMountains
Morning Sun
Sydney Lee
Bright Eyes
Juliette McLaughlin
Steps Softly
Charlotte Park
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Little Dove
Jesyca Chugg
Willow Deer
Ellie Maddox
Touches the Sky
Alex Hatch
Cloud Dancer
Aliyah Sonnenberg
River Song
McKell Haynie
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Wind Spirit
Hallie Jo Carvajal
Iron Bear
Pieter ten Bosch
Running Elk
Parker Niksich
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Grey Wolf
Elias Smith
Village Maidens
Molly Haynie, Rieya Stoddard, Sofia Holmes, Lucie Pearson, Mia Burbidge, Holland Ferguson, Olivia Colledge
Harvest Maidens
Miriam Williams, Reese Clark, Gabrielle Fyans, Sophie Bennett, Evangeline Fyans, Claire Buese, Kizzy Stoddard, Diana West
Village Children
Ellery Brooks, Irelyn Lawrence, Clara Beus, Ivy Christensen, Sitara Rao, Alyssa Alexander
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Prologue
Julius Chaves January 21, 1963-December 31, 2021

JACQUELINE P. COLLEDGE
UTAH METROPOLITAN BALLET
ARTISTIC & FOUNDING DIRECTOR
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Jacqueline P. Colledge began her early training with Utah native Bill Evans. Upon his recommendation, she attended the University of Utah to continue her studies, working with Willam Christensen, Gordon Paxman, Bené Arnold, and Mattlyn Gavers. Ms. Colledge became a member of Ballet West under the Artistic Direction of Willam Christensen in 1968, where she danced various solo roles working with Lew Christensen, Jacques d’Amboise, Michael Smuin, Dimitri Romano , and Francia Russell.
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In 1976 she opened the Jacqueline Colledge School of Classical Ballet. Desiring to give her students more education and performance opportunities, she organized Utah Youth Ballet in 1981 which later became Utah Regional Ballet. The professional wing of the company was established in 1999. This created a need for Utah Regional Ballet II as a pre-professional training company providing for talented young dancers to develop into seasoned professionals. The reputation and impact of the company continued growing well beyond the Utah Valley region. In 2017-18 Utah Regional Ballet became Utah Metropolitan Ballet with UMB II as the training company.
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Ms. Colledge developed the curriculum for the ballet program at Utah Valley University. The university now offers a Bachelors of Fine Arts with an Emphasis in Ballet Performance. As a Master teacher, she has taught throughout the United States and Europe. Colledge has choreographed many full length ballets such as Romeo & Juliet, Nutcracker, Cinderella, Hansel & Gretel, Peter Pan, A Midsummer Night’s Dream, Snow White and Utah Metropolitan Ballet’s signature work, Legend of Timpanogos.

MICHEAL D. BABBITT
COMPOSER​
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My passion for music can be traced back to seeing a woman playing the piano at church when I was 4 years old. I remember being completely fascinated, and simply had to know how she made such beautiful sounds. Being in love with music from that point on, I started piano lessons at age 4, excelled quickly and realized I would be working with music my entire life. Currently I am the executive producer at Da Capo Music in Washington, D.C. which I founded in 2008 with a close friend. My great passion is creating music that can be used to inspire movement. Outside the studio, I compose every day and DJ on the weekends. My educational background includes a BM in Music Theory and Composition from BYU and an MBA from the University of Utah.

NICHOLAS GREER
ARRANGEMENT​
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Nick is an arranger and orchestrator living in Arizona. Originally from Utah, he considers himself a sort of “musical Swiss Army Knife”. A 20-year professional in the music industry, he has worked with dozens of high profile ensembles and artists, including Diana Ross, Ben Folds and The National Symphony Orchestra (to name a few recent collaborations). He also engraves music, recently finishing a new edition of Schoenberg’s Concerto for Violin and Orchestra for G. Schirmer.

MARCEL BOWMAN
ORCHESTRA DIRECTOR​
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Marcel Bowman has extensive performance and teaching experience. He holds a Bachelor of Music in Violin Performance and Pedagogy from Brigham Young University, a Master of Music in Violin Performance and a PhD in Music Composition from the University of Utah. His performance experience spans 12 years with the Utah Symphony and Opera, as well as 25 years with many other Utah ensembles, such as Utah Chamber Artists, Sinfonia Salt Lake, Vivaldi Candlelight Concerts, Paradigm Chamber Orchestra, and the Orchestra at Temple Square, to name a few. He is presently a core member of the Ballet West Orchestra, Associate Conductor of the Utah Metropolitan Ballet Orchestra, and Concertmaster of the UVAA Summer Opera Orchestra. He is a regular studio recording artist and is sought after for his musical arrangements and orchestrations. As an educator, Marcel has taught a variety of music courses at Brigham Young University-Provo, BYU-Idaho, the University of Utah, Snow College, and the InterHarmony International School of Music online. He is currently instructor of AP Music Theory, Director of Orchestras, and Performing Arts Department Chair at Timpview High School in Provo, Utah. He is active in coaching, directing and adjudicating many youth music ensembles and festivals throughout the state. In Utah County, he serves as a contractor for professional orchestras. In his spare time, Marcel enjoys performing and recording music with his wife and four children, who are also professional musicians.

CAMERON FILEPAS
LIGHTING DESIGN ADAPTION AND RECREATION​
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Cameron Filepas is a NJ/ NYC based lighting designer for Theatre. Selected Designs: Waitress (Omaha Community Playhouse), Mrs. Stern (Woman’s Project Theatre), Beauty and The Beast (Arizona Broadway Theatre), Mrs. Stern (59E59), The Last Match Tour (Temple Theatre), Spring Awakening (EPIC Player’s), RIFT or White Lies (Luna Stage), A Raisin In The Sun (Bristol Riverside Theatre), White Christmas (Arizona Broadway Theatre), Ride The Cyclone (Ramapo College), Rock of Ages (Centenary Stage Company), The Prom (Axelrod PAC), Into The Woods (EPIC Player’s), Torn Asunder (Luna Stage), Camp Rock The Musical (Theatre Row). Selected Associate/ Assistant Designs: Drag, The Musical! (New World Stages), Giselle (American Repertory Ballet), Queens Girl In The World (Abingdon Theatre Company), A Midsummer Night's Dream (American Repertory Ballet), NEXTSteps (The Washington Ballet).

ALYSSA REID
Ucanogos
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Alyssa Reid was born and raised in San Diego, California, where she started dance at the age of 3. She trained under the direction of Ben and Lauri Michelle Houk at San Elijo Dance Academy, who previously danced with Pacific Northwest Ballet. Alyssa fell in love with ballet right away but also trained in contemporary and jazz while growing up. She attended the School of American Ballet Young Dancers summer intensive for 4 summers, followed by PNB’s summer intensive on full scholarship during the summers of 2017-2020.
Her senior year of high school she was offered ballet scholarships from both BYU and the University of Utah, but during the PNB zoom summer intensive in 2020 she was asked to join their Professional Division Program on full scholarship. Alyssa moved to Seattle in fall of 2020 to dance in this program. During this time she had the opportunity to perform in many ballets with the company and school. She performed Snow, Flowers, Spanish, and Party Parent in Balanchine’s ”The Nutcracker ''. She also performed in Kent Stowell's “Swan Lake” and Bruce Well’s “Beauty and the Beast”.
Alyssa danced as a soloist in the premier performance of “The Difference Between“, an original work by Noah Martzall of PNB and finished 2022 in Christopher D’Ariano’s original piece, “Homage”. She joined UMB in the fall of 2022 and since then has been promoted to a Principle artist and had the opportunity to perform in various soloists and principal roles with the company. Some of her favorite roles with the company have been Snow White, Russian Girl, Don Q Pas de deux, and Walt Pas in the Nutcracker. Alyssa is looking forward to the upcoming 2025-2026 season with UMB.

MATTEO GARATTONI
Timpanac​
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​Matteo Garattoni, from Cesena, Italy, began his dance training at age 9 with Laboratorio Danza e Teatro. At 18, he earned a full scholarship to The Washington School of Ballet, where he trained under Xiomara Reyes and Rinat Imaev.
Promoted to Trainee, he performed in many of The Washington Ballet's productions, including The Nutcracker, Romeo and Juliet, The Sleeping Beauty, and Balanchine's Slaughter on Tenth Avenue. He also danced principal roles in school performances, such as Acteon in Diana and Acteon and Espada in Don Quixote, and contemporary works by Mimmo Miccolis. In Italy, he performed as a guest artist with Laboratorio Danza e Teatro and Artedanza San Marino, dancing the principal role in Le Corsaire.
Since joining Utah Metropolitan Ballet in 2021 as a Principal Artist, Matteo has performed roles including Red Feather in Legend of Timpanogos, The Prince in Snow White, Waltz Boy in Balanchine's Serenade, and Cavalier in The Nutcracker.

TOSHIHIRO HARADA
Red Feather​
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Toshihiro Harada, from Tokyo, Japan, joined Utah Metropolitan Ballet in 2023 as a Principal Artist. Harada started his ballet training at the age of 7. He later graduated from Tokyo Metropolitan Art High School with a major in Ballet in 2021. In 2022, he participated in the prestigious Prix de Lausanne. Harada has also achieved notable success in ballet competitions, including winning 1st place in both the NBA All Japan Ballet Competition and the All Japan Ballet Competition.
Throughout his career, Harada has been recognized with various awards for his talent and dedication to ballet. Since joining Utah Metropolitan Ballet he has loved performing as the Scarecrow in The Wonderful Wizard of Oz, a Forest Sprite in Snow White, the Nutcracker Prince and Russian Soloist in Nutcracker, and The Flames of Paris pas de deux in the 40th Anniversary Gala. Harada had the opportunity to travel alongside Jacqueline’s School of Ballet dancers and perform in the Stars of Tomorrow Gala in Austria.
His passion for dance continues to drive him to excel on the international stage.

JESSE JAMES FOURMOUNTAINS
Guest Artist, Chief​​
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Jesse James FourMountains is a Native American of the Apache/Dine Nation, born in Gallup, NM in 1956. He left the Reservation when he was 9 years old to integrate school in Utah.
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Jesse started his acting career as a young adult, playing a Native Extra on the “Grizzly Adams” tv series in 1977/78; in 1981 he played a Cheyenne Native hunter in “Wind Walker”, starring James Remar and appearances as a Native American in “Crossroads” a tv series with Robert Ulrich. He played FourMountains in “Dry Creek America’s First Frontier” a family oriented cable tv series about a small town life in 1860’s in Florida. He played minor parts as a sheriff and as an oriental man in several tv shows. He danced in several commercials and music videos from hard rock to rap. He appears as “Billy the Gunfighter” in the video game “Red Dead Vengeance”.
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As a champion of saddle bronc rider and bull rider, Jesse competed in rodeos all over the United States, from his late teens until his late 50’s. For recreation, he played second base and catcher for several adult league baseball teams. Jesse is an award winning northern traditional Native Dancer still competing all over the US. He is a Southwest Artist who creates jewelry, paintings, chalk drawings, and sculptures. He worked with Peter Fillerup, a Utah bronze Artist, with who he created many of the statues.
UMB II

TOP ROW (L-R)
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Olivia Colledge, Mia Burbidge, Sofia Holmes, Lucie Pearson, Rieya Stoddard, Paisley Randall, Molly Haynie
MIDDLE ROW (L-R)
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Gabrielle Fyans, Reese Clark, Holland Ferguson, Allison Adamson, Ellie Maddox, Mollie Dallas, Miriam Williams
BOTTOM ROW (L-R)
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Conley Hughs, Claire Durham, Sophie Bennett, Ellie Haynie, Diana West, Kizzie Stoddard, Evangeline Fyans
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Jacqueline P. Colledge
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Associate Director UMB/Director UMB ll
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Brittnee Squires
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Johnny Zhong
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“Lighting design adapted and recreated by Cameron Filepas”
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Flute I / Piccolo
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